Web developer & designer based in NYC.
Co-lead of Green Antarctica.
Creative director of Triple Canopy.

Works previously exhibited or written about at Typojanchi, Sprint Milano, Unseen Archive, and Its Nice That. Talks given at CCA, Princeton, Rhizome, Parsons, SVA, VCU, Bungee Space, and Naive Yearly.

Email tiger.dingsun@gmail.com to inquire about freelance, collaborations, or just to say hi! (really!)

Resume available upon request.

Graphic Design
  1. Misc.
  2. 8.5 × 11
  3. Rhizome 7x7 2026
  4. Listen
  5. How Much Information?
  6. (Don't) Picture the Hole
  7. FWB Fest '25 Poster
  8. Heart's Waters EP
  9. 1 Degree of Feeling
  10. Where the Lake Is EP
  11. Instruments of Obligation
  12. Living Equipment
  13. Chlorine EP
  14. Upstream Issue 0
  15. Choir of Kin
  16. Falsa Poesia
  17. Words so Beautiful to Look at
    ——>
    Spring 2020
    Filed under:
    Graphic Design PosterRISOPhonoaestheticsWordsReading

    22"x35" RISO poster, printed by folding a large sheet of butcher paper into fourths and printing on each section separately. Printed in two editions of Teal/Fluorescent Pink, and Gold/Fluorescent Pink.

    This poster is about the graphic and sensory quality of words.

    Words produce meaning not only through their semiotic function to merely point to some concept in the world, but also their multisensory function, creating (weak) synesthetic relationships between the word and different colors, sounds, smells, tastes, and textures. Even the visuality of the word itself—not necessarily the typographic choices used to render it, but the actual shape of the words and base letterforms themselves—can be regarded as objects with aesthetic values. Moreover, grouping words together in order to appeal to some historical or social taxonomy or system of classification creates further resonance between, drawing from shared cultural systems of knowledge.

  18. One Common Red Flat Sharp
  19. A Lexicon of Hesitation