Web developer & graphic designer based in NYC. Currently the creative director at Triple Canopy. Works previously exhibited or written about at Typojanchi, Sprint Milano, Unseen Archive, and Its Nice That. Talks given at CCA, Princeton, Rhizome, Parsons, SVA, VCU, Bungee Space, and Naive Yearly.

Email tiger.dingsun@gmail.com to inquire about freelance, collaborations, or just to say hi! (really!)

Resume available upon request.

Graphic Design
  1. 8.5 × 11
  2. Misc.
  3. How Much Information?
  4. (Don't) Picture the Hole
  5. FWB Fest '25 Poster
  6. Heart's Waters EP
  7. 1 Degree of Feeling
  8. Where the Lake Is EP
  9. Instruments of Obligation
  10. Living Equipment
  11. Chlorine EP
  12. Upstream Issue 0
  13. Choir of Kin
  14. Falsa Poesia
  15. Words so Beautiful to Look at
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    Spring 2020
    Filed under:
    Graphic Design PosterRISOPhonoaestheticsWordsReading

    22"x35" RISO poster, printed by folding a large sheet of butcher paper into fourths and printing on each section separately. Printed in two editions of Teal/Fluorescent Pink, and Gold/Fluorescent Pink.

    This poster is about the graphic and sensory quality of words.

    Words produce meaning not only through their semiotic function to merely point to some concept in the world, but also their multisensory function, creating (weak) synesthetic relationships between the word and different colors, sounds, smells, tastes, and textures. Even the visuality of the word itself—not necessarily the typographic choices used to render it, but the actual shape of the words and base letterforms themselves—can be regarded as objects with aesthetic values. Moreover, grouping words together in order to appeal to some historical or social taxonomy or system of classification creates further resonance between, drawing from shared cultural systems of knowledge.

  16. One Common Red Flat Sharp
  17. A Lexicon of Hesitation