Tiger Dingsun (About)

Web developer & graphic designer based in NYC. Currently the creative director at Triple Canopy. Works previously exhibited or written about at Typojanchi, Sprint Milano, Unseen Archive, and Its Nice That. Talks given at CCA, Princeton, Rhizome, Parsons, SVA, VCU, Bungee Space, and Naive Yearly.

Email tiger.dingsun@gmail.com to inquire about freelance, collaborations, or just to say hi! (really!)

Resume available upon request.

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Web
  1. Heavy Traffic Magazine
  2. Components
  3. Quest
  4. FWB
  5. No Distance
  6. John Philip Sage
  7. Materia Abierta
  8. Earth
  9. Thinking With Moss
  10. Carolina Caycedo
  11. Federico Pérez Villoro
  12. Materia Abierta 2024
  13. House of Ill Fame
  14. Raprave
  15. Guanaquerx
  16. LP—2023
  17. Unseen Garden
  18. Toward Frisson
  19. Trekker / Browser
  20. Pentameter
  21. Reading Machines
  22. Transparencia Index
  23. LP—2020
  24. Two Clocks
  25. I Never Want to See the Same Image Twice
  26. 99 + 9
Graphic Design
  1. 8.5 × 11
  2. Misc.
  3. How Much Information?
  4. (Don't) Picture the Hole
  5. FWB Fest '25 Poster
  6. Heart's Waters EP
  7. 1 Degree of Feeling
  8. Where the Lake Is EP
  9. Instruments of Obligation
  10. Living Equipment
  11. Chlorine EP
  12. Upstream Issue 0
  13. Choir of Kin
  14. Falsa Poesia
  15. Words so Beautiful to Look at
  16. One Common Red Flat Sharp
  17. A Lexicon of Hesitation
Writing
  1. Fandom Eschatology
  2. Stone, Speech, Silence, Sound
  3. The End is Not the End
  4. It Turned from Rain to Snow (Now-Time 1)
  5. I Have No Choice But to Stan
    ——>
    Fall 2024
    Filed under:
    Writing Fandom Studies

    An essay about the affective economy of the K-Pop industry. Written for Issue 11 of Adjacent, a journal of emerging media published by New York University’s Interactive Telecommunications Program (ITP).

  6. Notes on K-Pop
  7. ASDFGHJKLKGJL
  8. The Lore Zone
  9. Chimeric Worlding
Type Design
  1. Wyvern Sans (work-in-progress)
  2. Cross Chancery
  3. Corpus